The Curfew Club is a monthly musical gathering in a small and intimate setting showcasing some of the local talent, especially those with acoustic or Americana bent. The session was first bought to my attention while reading The Bedford Clanger, a magazine highlighting all the cultural and art stuff going on in Bedford as well as getting behind local businesses and local talents. It was only a short article, not much more than an advert really, but it intrigued me. I mentioned it to Jonny, who is always up for a gig, and we decided to go.
The first thing we had to do was sort out some drinks. Not only is this event free to get in but it’s also BYOB, so a great way to spend a cheap night out. So, because we are classy, we made straight for Lidl. A cornucopia of delicious and tempting ales it is not, however it is cheap. I through a few bottles of ale in the basket, Jonny went for the cheap pear cider.
The Weillie’s interior
We had deliberately got into town early for two reasons. Firstly, being a small gig in a small venue it is limited to 40 people and Facebook said that there were 48 going. We wanted to make sure that we got in any queue early as to avoid disappointment. The second reason for going early is that just down the road from the venue, #44 Harpur St., are a couple of pubs (I think you can see where this is going).
A Pint of Welsh Black in the wellie
First of all is the Wellington Arms, or the wellie as it is more commonly known. Previous visits to the wellie and its 14 handpumps had shown us the delights of B&T’s Fruit Bat and bottled beers such as Timmermans Kriek. With it’s range constantly changing who knows what we had in store. It’s always hard when you walk through the door of a pub and the bar maid immediately asks you what you would like. There are 14 choices and you haven’t even read them all yet. I went with Great Orme’s Welsh Black. As the name suggests it was a dark beer, a mild in fact and as dark as they come. It was a nice, if a bit lifeless, I’m guessing it was coming near to the end of the barrel.
A pint of Doom Bar in The Flower Pot next to an open fire (which isn’t blue, unlike this picture makes out)
After the wellie we moved on to the Flower Pot, I always thought it was a Greene King pub, but not serving any of their beers I guess I was wrong. They do serve Fuller’s London Pride and Sharp’s Doom Bar. Jonny and I both went for the Doom Bar. We sat by the open fire with views out of the window down Harpur Street so we could look out for any queue that might form.
No queue did form and we ended up having two in the Flower Pot, who can argue with a pint of Doom Bar and a warming fire on a drizzly February evening?
We were admitted into the venue at around opening time, it all seemed very friendly. I had worried that I had misunderstood the BYOB thing but no one queried our bags of beer as we walked through. Eventually the room filled out with more and more arrivals. I didn’t notice anyone getting turned away but I would have said that there were about 40 people there.
Gwinny performing at 44 Harpur St.
By about half 8 the first act was on stage and doing what she does. Her name was Gwinny and it was just her and an acoustic guitar. The act had two very distinct parts for me. The first half were all songs which had a distinct Laura Marling bent to them. This is a girl who clearly liked the album alas, I cannot swim. The second half of her songs, were much less easy to pin down, more individual in many ways and just as enjoyable as the first songs. For me the stand out song was Come away with me, which isn’t anything to do with the Norah Jones song of the same name. Gwinny was accompanied, for me at least, by a bottle of Bornem Abbey Blonde Beer which I found to be quite a sharp and didn’t settle well after the well served Doom Bar in the Flower Pot.
The Darling Mundaring performing at 44 Harpur St.
The headline act was The Darling Mundaring. After the bread and water that a girl + acoustic can be it was great to hear the full roast dinner that a full band can be. A much more polyphonic affair but nevertheless taking the same acoustic route as Gwinny had before but with added cello and percussion. It was a gorgeous , rich and beautiful noise which I loved listening to.There were several songs which they performed which I could easily see, given the right set of circumstances, could get picked up by the mainstream. October, Books, and As good for me are all stand out tracks that could get these guys on the radio. Their accompanying beer was a bottle of Hatherwood’s Golden Goose, a beer brewed specifically for Lidl (Not all that great either).
To sum it up them The Curfew club provides a showcase of some fantastic local talent in the Bedford area and allow you to discover some great new acoustic music. Both of the acts we saw were great. Lidl provide beer that is cheap.
More information of the Curfew Club’s Facebook page: http://www.facebook.com/curfewclubbedford, the next session is on 9th March at the Cavalier Barber Shop.
